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The bathing scene of the infant Dionysus in the theater decoration of Asia Minor: the origins of iconography and the Roman contextMoscow University Bulletin. Series 8: History 2022. N 3. p.156-171read article637
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Social specificity of Prussians warrior’s equipment of the 10th through the 14th centuresMoscow University Bulletin. Series 8: History 2022. N 3. p.145-155read article643
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The U.S. Middle East regional cooperation program: research dimension of peace process facilitation (1978–2022)Moscow University Bulletin. Series 8: History 2022. N 3. p.120-144read article603
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The position of the French foreign ministry towards the first government of independent Algeria in 1962Moscow University Bulletin. Series 8: History 2022. N 3. p.103-119read article641
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Survive in Buchenwald: unknown facts from life paths of the concentration camp prisonersMoscow University Bulletin. Series 8: History 2022. N 3. p.92-102read article720
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The creation of the “enemy image” in the early period of the First world war in the Russian press: according to the materials of the Simbirsk and Samara periodicalsMoscow University Bulletin. Series 8: History 2022. N 3. p.73-91read article728
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“My fervent wish is to join you and with my own hands clean the dear theater from the filth brought by delirious madness”: the pillage of the Maly theater in early November 1917Moscow University Bulletin. Series 8: History 2022. N 3. p.53-72read article609
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Count S.D. Sheremetev and emperor Nicholas II: narrative of audiencesMoscow University Bulletin. Series 8: History 2022. N 3. p.41-52read article648
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“in the state of Hispania the air is wholesome and jolly”: Piotr Potemkin in Spain, 1667–1668 (notes on a new collection of documents)Moscow University Bulletin. Series 8: History 2022. N 3. p.19-40read article645
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Conspiracy of Catiline in “Historia Pistoriensis” of Giannozzo MannettiMoscow University Bulletin. Series 8: History 2022. N 3. p.3-18read article631