Abstract

The article concerns the still completely unexplored issue of the possible anthropomorphic perception of the Old Russian churches. The work is based on the study of Old Russian written sources, mainly chronicles, as well as inventories, charters, lives, travel descriptions. The information extracted from written sources is grouped in the article by individual words, which were used by Old Russian writers as anthropomorphic terms when describing the church: “top”, “head”, “forehead”, “neck”, “under head”, “shoulders”, “belt”, “foot”. Some documents contain single terms or their pairs; there are examples of a more consistent use of several terms concurrently. Chronologically, anthropomorphic terms were common in Old Russian literature throughout its history, that is, from the 11th to the 17th centuries. They are found in an extensive range of documents. A careful examination of the terms has revealed that the Old Russian church was described in approximately the same way as a human figure, and the objects were described sequentially from top to bottom. Similar descriptions with the same sequence, using similar anthropomorphic terms, are found in Italian and post-Byzantine painting manuals, where a proportional analysis of the human figure is given. Some anthropomorphic terms similar to the Old Russian ones are found in Byzantine descriptions of temples or in the form of separate words. It can be assumed that the Old Russian set of anthropomorphic terms is of Byzantine origin. The comparison with the human figure, that arises when one reads such descriptions, is a likely key to understanding the proportions of ancient Russian churches, which were interpreted through the prism of human proportions and their standards of the time. The proposed approach also permits more extensive use of historical, written terms in contemporary art history literature. The range of anthropomorphic terms describing the architecture of ancient Russian churches is quite wide and well documented. Perhaps it will be expanded in the future, but already now, on its basis, it is possible to enrich the understanding of architecture in medieval Russia.