-
The bathing scene of the infant Dionysus in the theater decoration of Asia Minor: the origins of iconography and the Roman contextMoscow University Bulletin. Series 8: History 2022. N 3. p.156-171read article506
-
Social specificity of Prussians warrior’s equipment of the 10th through the 14th centuresMoscow University Bulletin. Series 8: History 2022. N 3. p.145-155read article493
-
The U.S. Middle East regional cooperation program: research dimension of peace process facilitation (1978–2022)Moscow University Bulletin. Series 8: History 2022. N 3. p.120-144read article477
-
The position of the French foreign ministry towards the first government of independent Algeria in 1962Moscow University Bulletin. Series 8: History 2022. N 3. p.103-119read article500
-
Survive in Buchenwald: unknown facts from life paths of the concentration camp prisonersMoscow University Bulletin. Series 8: History 2022. N 3. p.92-102read article552
-
The creation of the “enemy image” in the early period of the First world war in the Russian press: according to the materials of the Simbirsk and Samara periodicalsMoscow University Bulletin. Series 8: History 2022. N 3. p.73-91read article581
-
“My fervent wish is to join you and with my own hands clean the dear theater from the filth brought by delirious madness”: the pillage of the Maly theater in early November 1917Moscow University Bulletin. Series 8: History 2022. N 3. p.53-72read article456
-
Count S.D. Sheremetev and emperor Nicholas II: narrative of audiencesMoscow University Bulletin. Series 8: History 2022. N 3. p.41-52read article509
-
“in the state of Hispania the air is wholesome and jolly”: Piotr Potemkin in Spain, 1667–1668 (notes on a new collection of documents)Moscow University Bulletin. Series 8: History 2022. N 3. p.19-40read article510
-
Conspiracy of Catiline in “Historia Pistoriensis” of Giannozzo MannettiMoscow University Bulletin. Series 8: History 2022. N 3. p.3-18read article496